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百家拳之洪拳
本片讲述的是晚清年间，猪肉铺伙计林世荣拜洪拳宗师黄飞鸿为师行侠仗义，遭到了武林败类蔡进宝和牟诚威联手陷害，陷入人生的绝境。面对绝境他毫不放弃，自强自立，终于击败强敌，找回清白，并将洪拳广传普罗大众，成为一代宗师。
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哥们儿
今年秋天，环球影业将骄傲地推出首部好莱坞主要电影公司制作，关于两名男同志，也许、可能、大概将会坠入爱河的爱情喜剧片。也许吧。不管怎样，他们都会非常忙碌。 喜剧天才比利·艾希纳、杰出的卖座电影导演尼古拉斯·斯托勒以及金牌喜剧导演/制片贾德·阿帕图共同打造《哥儿们》一片，这是一部在这个疯狂世界关于性、爱情及浪漫情怀，极具巧思、心醉神迷和暖心动人的喜剧片。
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赌侠1999
阿king（刘德华 饰）当年因出千被捕，事实上他是被人陷害的。出狱时他为他接风的是崇拜他已久的化骨龙（张家辉 饰），化骨龙是个终日无所事事的人，希望能跟着king有所作为。出狱后的king到处寻找已怀孕的妻子（张慧仪 饰），与当日的得力助手（张锦程 饰）， 后来King与化骨龙妹妹晴（朱茵 饰）产生了好感。 King得到Rocky（吴志雄 饰）的帮助上了赌船，碰见了多年前便想交手的马交文（高捷 饰），king想与之一决高低，却遭到马交文的手下省镜（李子雄 饰）陷害，揭开了king的底细更想进一步迫害king，king又能否躲过劫数呢？
022月
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.